do race distances in testing. On top of that it is a team that operates very well with the budget they have unlike HRT. They are team that are a good template for all Motorsport in the future and if they keep making slow and steady steps could one day become a contender.Friday, 11 March 2011
And so pre-season testing is drawing to a close.
do race distances in testing. On top of that it is a team that operates very well with the budget they have unlike HRT. They are team that are a good template for all Motorsport in the future and if they keep making slow and steady steps could one day become a contender.Tuesday, 1 March 2011
Please can everyone who reads this from Colchester pass this on?
- Look at another university where I can begin my journey into the world as a University Student again.
- Step up my search for work whilst I am in London so I can realise what it is like to properly earn myself some money.
- Continue on with my Shenfield based band with my brother, Scott and Will as it seems like we are going places and are all very dedicated to the cause.
- Be a helpful extra pair of hands whenever my family needs someone to help with whatever they would need to help with.
Monday, 28 February 2011
A Day in My Life at Guys Hospital
Saturday, 19 February 2011
Something weird...
Not really that but this, while going on a subject which I do talk a lot about (that being music) but it is something that people whom know me well will be extremely confused about. What I am going to do is step out of my traditional music tastes (usually Rock/Metal) and have a look at a few songs from the grimey, disgusting and all around appaling world of general pop music. The sort of thing you are likely to find in a lot of the typical club nights you are likely to go to in the next few weeks.
Now you may all think that I am going totally mad (that said I am a bit jacked up on caffine today but that is not really the point...) but there have been some genuinely interesting new songs from what I like to call the side of the fence everyone else seems to be on. I'm gonna take this span as far back as about 6 months from me first hearing the songs and the fact that they are still being smashed around the radio like confetti at a wedding or alcohol in a student accomidation pre-drinking bender.
Firstly is one that I actually only listened to because of something I saw written about it in a Newspaper:
Yes your eyes and ears are not decieving you. It's the latest single by Britney Spears by the name of 'Hold It Against Me' and while it may not be as cringe-worthingly obvious as her last single '3' or the dancefloor classic 'Slave 4 U' but (seemingly like 95% of her songs) they are about finding a guy in a club and wanting to get some of his (here comes a Lady Gaga reference...sorry) 'Disco-Stick' away from the rest of the sweaty club attendee's.
At first you might think it's just typical garbage with a Nazi style marching beat for the vast majority of the song and Britney sounding as Monotonal and auto-tuned as ever and I agree. But I have selected this for this most odd of blogs for one main simple reason. Aside from the fact that it mostly uses the same dynamic reversal as Metallica's famous single 'Unforgiven' generally with the verse being louder than the chorus until the end one but also for the section I suggest skipping through to which appears at about 2:17.
...
...
Hopefully some of you have listened to it but that is (from what I know of Dubstep) a really well excuted and quite intense dubstep drop. I find it as (quite frankly) the most interesting piece of music to be found in a song concering Ms Spears. It's quite a big drop and from what I would imagine it would produce one of the most bizarre moments in any clubber's psyche (if they are still sober enough to think that clearly):
'Ok this is a beat I imagine being made from a proper Dubstep person not Britney Spears' record label... WTF!!'
This next song may have been around for a bit longer than I might think but I don't know. It's from a little British artist who does not have the loudest voice and could be seen as annoying and has released one or two of the worst songs ever in 'Stary Eyed' and 'Guns & Horses'.
Yes it's Ellie Goulding with 'The Writer'. First thing to say is that as a song it was my favourite pop song of 2010 along with her not quite so well known track 'Under The Sheets' ,which with a few minor tweeks (I know cause i've tried) makes a cracking Hard Rock love song, but does not qualify for this list as I heard it back in last May.
So why do I add 'The Writer' to this rag tag list of slightly more interesting chart hits? Well firstly the verse and middle section has a rather interesting time signature which (while trying to learn the song) has caught me out in several times to the tune of exclimations of profanities like 'F***' 'S***' and my new rather outrageous favourite 'F**knuckle'. It's a rather beautiful song really as it features a really great melody throughout vocally, a really effective piano part and a chorus which manages to be on the one hand to be calm and emotional but on the other hand (with the right setting and the volume turned up all the way) absolutely bloody enormous. Put that chorus in a big stadium and I have no doubt it would produce a huge moment the first time it comes around.
The next song comes from another realitively new song with not much in terms of a massive voice but has a habbit of some interesting little numbers like this following dubstep inspired ditty:
Yes it's the true club anthem which you are basically garunteed to hear almost every club night you go into. It's Katy B with her signature song 'Katy On A Mission'. Well first off it's different because it uses a style that was (at the time) still relatively underground and therefore was like a breakthrough. It is a song structured much like any other so I can not offer you any difference on that front but the lyrics are in fact the most interesting element to this song. Because it's not about what a lot (96.7%-ish) of pop songs are about, sex, love and variants thereof, but about something which connects to the same amount of, if not more people who are going to listen to the song. Going on a dancefloor and when the right song comes on going absolutely ballistic not caring how you look and just having a damn-good time whether you end up lip locked with a fellow dancer or just sweaty but with a feeling of utter euphoria. The lyric has become a mantra of mine when I go clubbing with the right combination of people 'Keep up with me as we lose control'.
Following on from these I'd like to be able to put a pop song by a male artist to rebalence the list back bring back some semblence of gender equality... but Male pop singers have slowly become the most samey-samey sounding bulls*** these days but now with my most interesting choices taken up I've litterally had to go on a bit of a research through the recent chart hits. To be as frank as I can about all this it has made want boil my own head as quite a large amount modern pop is truly, saddeningly, almost hopelessly appaling. With Simon Cowell's X-Factor machine and the increase of auto-tuning into alot of music and just the stereotypical lyrical content often makes me despair at how some people can be so blind and listen to these songs and take them as the best the world of music has to offer.
But before you think I am going to say that modern music is not as good as it was in previous decades I have one unfortunate thing to say to you:
The Previous 4 decades were no better
I say this because yes there are classic tracks from those decades which everyone will remember: Beatles, Stones, Led Zepplin, Thin Lizzy, Guns 'N' Roses, early Madonna, Abba, 2-Pac, Pre-drug abuse Eminem and many, many more that I can mention. These are the artists that will be looked back on as the memorable artists of those respective creative periods with hits that will live in memory until the end of time.
But a lot of these songs were beaten to the top spot by some utterly appaling pieces of s*** which people will choose to forget was the week long fads people liked at the time. Take this list of songs for example and my point will be proved:
Gnarls Barckley - Crazy
Crazy Town - Butterfly
Journey - Don't Stop Belevin'
(Who the F*** cares) - Agado ¬_¬
Cliff Richard - Misiltoe and Wine
The stupid fast food song
All of the UK's Eurovision entries for as long as I can remember
Lulu - Shout
Mungo Jerry - Baby Jump
And everything wirtten by Donny Osmand.
My point is proved and this would be an excellent way to end this entry.
However, my research did pay off and what I have coming up is as interesting as the songs I have already mentioned and actually, in my view, somewhat of a special song to me:
I will conceed that this song does not apply to either of the rules set I set to put songs in the blog and yes it is not even a very recent song. But Viva Forever by one of the most legendary Girl Groups that there has ever been in The Spice Girls is a song which a chilled out number with 2 or 3 absolutely sensational acoustic guitar solos. It was one of the last songs the band recorded with Geri Haliwell and was in fact released after she left the band so there is in fact a hidden story behind the song and even though I do not know the story knowing this song had a difficult inception makes it very special to me. It may be utterly ridiculous but this is one of my favourite of all time. It might be embrassing given my normal taste in music but it is.
Now we can end.
Next up after the pre-season testing ends I make my thoughts and predictions for the 2011 F1 world championship.
Monday, 14 February 2011
Wow an album review - Sum 41's Chuck

Before I get into this I must say sorry for not having any reviews on my blog recently. For this one I am not going for a new release but with an album that holds a special place in my heart, not because it's the best album I've ever heard but oddly it is what inspired me to write some of the music I have written over my time as a musician. The album is Sum 41's 2004 album 'Chuck'.
When I actually took the time to listen to it I understood as while (apart from some of the drumming and the lead guitar work) there is not much in terms of blistering technical skill he was absolutely right. Yes there are more 'traditional' pop punk songs but this, as a work on the whole, is actually fairly unique to the genre to this day. The closest any artist has come to making a pop punk/metal record is Madina Lake with 'The Dresden Codex EP' with crucial difference being this (in my view) is better in almost every department.
Generally the lyrical themes displayed in the songs fits in with the music quite well. For example 'The Bitter End' and '88' fit perfectly and it makes the songs, in my opinion at least, flow exactly the way I think the band intended it to.
The singer is neither amazing nor terrible. But this album proved he could be versatile. In various songs he could turn his hand to delicate singing, shouting, screaming and even euphoric spoken word whenever the need takes him. It's a well crafted, mature and diverse record vocally.
2) No Reason - Euphoric, partially apocalyptic and with some really good simple riffs. A very appropriate opening song to the album. Shows a maturity that runs through the record and is missing on the whole from everything else the band has written before or since. 8/10
3) We're All To Blame - Reversed stereotypical dynamics much like Metallica's 'Unforgiven' with the very heavy (almost Metal-like) verses and quieter choruses (until the third one) and very good lyrics. Almost like a follow on from 'No Reason' lyrically. 8/10
4) Angels With Dirty Faces - The first genuine surprise of the album. The Drop tuned guitars could have been an indication this song was going to be slightly different but the heaviness after the soft vocal intro and the proper thrash metal drumming in the chorus make this one of the albums stand out tracks. 9.5/10
5) Some Say - The best thing about the are the vocals. It's not my kind of song generally and seems a bit to much like generic 'pop punk' ballad in my view. 5/10
6) The Bitter End - I've heard many things said about this song: It's a rip-off of Metallica's 'Battery', it's a fake Metal song and it's just plain wrong. I'll admit it is structured basically identically and includes some similar phrasing but it stands out as it's own song. First of all it is a very convincing Thrash song as all the elements are there and it's put together in a very convincing and logical manner. Oh and the main guitar solo is absolutely incredible in my opinion. Yes it's not the fastest or the most melodic but it strikes a very fine balance which is important in my opinion. This is best song on the album in my view. 10/10 (yes i know it's frowned upon to give anything 10 but I've done it now)
7) Open Your Eyes - I must admit I haven't listened to this song as much as the others but it is a good song musically. Works really well with seeming maturity that has been hinted at with the music. Just a shame it's the worst track lyrically and it comes quite close to ruining the song as a whole. That said the Middle 8 is actually quite fantastic. 7/10
8) Slipping Away - The True Acoustic number of the album. This song takes pride of place on my chillout playlist on my computer. It's quite a beautiful song which is also structured not like a traditional song in the sense that it only has the one verse. Vocals shine out really well on this one. 8/10
9) I'm Not The One - Another very heavy song. When I first heard this song the intro reminded me very heavily of Linkin Park tracks like 'One Step Closer' or 'Crawling'. The actual proper screaming vocals in the middle section of the song are pretty remarkable and show a complete diversity from most of the rest of the album in terms of vibe and texture. 9/10
10) Welcome To Hell - Very much more like a traditional punk song from decades previous. It's a very short, shouty, fun song basically telling us to jump around like morons and it would be a very good song in the mosh pit. The Bass stands out on this track as being fast, spikey and, much like the rest of the track on the whole, just damned good fun. 8.5/10
11) Pieces - The rating for this song would be so much lower if it did not have really good lyrical content. I find the song incredibly dull if i'm not paying particular attention to the words as there is really not very much to the music that I haven't heard from 'Some Say' or 'Slipping Away' earlier in the record. 6/10
12) There's No Solution - Another song which I have not spent a lot of time listening to. There can be no doubt that this song actually has one of the best choruses on the album. It's almost like a big stadium rock track scaled down a bit. Just missed a bit of lead guitar would be my one problem with it. 7.5/10
13) 88 - The Schizophrenic song as I like to call it now. It contains all the styles present in the album. From a very punk rock-ish intro. To an acoustic verse, a massive chorus and the massive Metal breakdown towards the end. Had it ended on that big Eb chord at the end of the breakdown it would have been another 10/10 song in my view but there is simply the fact that the ending sounds strained and rather bizzare. Did not seem neccesary. 9.5/10
From the US the album ends here but the version I have houses 3 other songs, which I shall also take a look at.
14) Noots - Incorporation of keyboards is very interesting. It in keeps with the theme of the album musically and has a humongous chorus to go with it. Lyrically however it is a bit of a disappointment but not terrible. 7.5/10
15) Moron - What else could be said about this song other than it is, much like 'Welcome To Hell' is a very good laugh. It is almost as simple as music gets and it shows. What else draws me is actually a very good vocal performance which suits the song perfectly.
16) Subject To Change - This song has foundations in both the title track from the next album (the chorus) and in 'No Reason' (the middle 8). It manages to be the angriest song on the disc but while it is a very good song it doesn't quite flow as a lyrical concept and it is quite easy to understand why it was not included on either this album or the next. Pity really. 8/10
Overall rating for the album I would say has to be 8/10. I love the majority of it as it is a massive departure from the general direction of Pop Punk around the time and to this day. The Stand-Out songs are the heavier ones, not just as a fan of Metal but as a musician they are better musically in my view and it shows that this band. Even in it's new guise can pull off a largely convincing live cover of the classic Metallica song 'Master Of Puppets'.
Monday, 3 January 2011
And here comes another year.
Yes indeed and in case anyone has been asleep since Saturday a new year is indeed upon us. One filled with many things that I am going to go on to speak about:
- The 2011 F1 world championship
- The England Cricket team bringing home the famous urn after their retention of the Ashes.
- The endless road of the pro-wrestling business
- A continuation of my studies at University in Colchester.
- And many more things...
Now all this and more will be discussed in the up and coming 12 months but I would like to take some time out of your very important Internet time to post something that is more than likely going to turn into among one of the most personal things I have ever written. For those who do not know me all that well this might get a bit heavy and even though I will never know I do not blame you if you stop reading at any point in this post. If you do know me then perhaps this will be a little bit of an eye opener if you think I have been a bit weirder than usual in recent times.
First I have to start with a brief summary of what has made 2010 in many ways good for me:
- My first 2 festivals as an attendee in the form of 2000 trees and Sonisphere were experiences which I shall not forget anytime soon.
- Finally getting a band together in the land of Essex to stop me going completely mad.
- My 20th Birthday drinks may not have been the highlight of every body's social calender but from my perspective it was the drunken yet perfectly civilised way I wanted to celebrate it and catch up with many of the friends I have made at University.
- Finally getting a small glimpse into the whole clubbing thing and understanding that it has to be the right night for me to have a good time.
All of those things were great and I would like to thank everyone who was a part of these experiences and I honestly hope to have more with all of you in the future.
However I am going to be completely honest and say that, for me, 2010 was one of the most difficult and most painful years that I can remember. There are many reasons for this, some of which I can not even share here as it is so painful but others I will share with you as frankly as possible:
This year I am ashamed to say I have definitely fallen for someone who I assume does not feel the same way about me and even if she did she is many years out of my league and is with someone who is making them happier than I feel I could.
I met her at the back end of last year when visiting friends and she understood my flaws and my fears within 15 minutes of meeting me and we became extremely close whenever we got the chance to talk. She has been there for me through some really difficult shit and has become a rock so solid it would take millions of years to wear that away.
We spent a weekend together in the summer, just hanging out, drinking and talking about everything and nothing at the same time. We bonded strongly and for my sins my heart became hers. She probably won't know it's her and if she does I've put my foot in it but she is beautiful, kind, funny and one of the people I trust with my life. I can deal with the fact we'll never be together as long as we remain closer than Amy Winehouse to a drug overdose.
To move on from that to something that a few of you may know happened. I was almost shot from a moving car in Colchester in the Autumn, after a man shot at my direction from a moving car with a hand gun narrowly missing the outline of my hair.
I was ok but I was so scared I considered not coming back to Colchester after a week a home. My life flashed before my eyes as I looked for someone to help me get home and while this is not the most afraid I have ever been my hands were shaking for three days afterwards. To this day every so often I cry when thinking about it but one day I will be able to fully get over it and fully move on.
This is the hardest thing I have ever had to admit but here it goes: Not too long ago I went through a period of feeling helpless and afraid for the future. I was scared I was going to fall into a possible state of depression and at points even thought I had.
I was staring at a small kitchen knife I had in my right hand wondering if I was about to do the unthinkable, the one thing that I swore I'd make sure no-one I knew would do if I could help it. Luckily for me I was not brave enough to do it and the thought has not occurred to me since.
I did it because of many reasons:
- I was worried that a lot of the people that cared about me didn't care and I was almost entirely alone at a point in my life where I need them.
- After the incident with the shooting I was scared about what else could happen to me and was basically scared in my own skin.
- Things were going on behind closed doors which were leaving my family in an unbelievably strained position and there was nothing I could do to help or stop it.
- I simply believed I was not good enough.
If I have still got anyone reading this...yeah...
But then a funny thing happened. Something that has never happened to me before and took me completely unawares. The strangest thing about it was that it occurred to me around the strike of midnight while drunk and sipping on a pint of 'expensive' cider:
I can erase the bad points of 2010 by making 2011 the most amazing year of my life.
- I can make sure I push on with my musical exploits in a way I never have before.
- I can make even more truly brilliant friends as well maintain the ones I deserve to have.
- I have a chance of finding someone or something that can make me as happy as I have ever been.
- But last and for sure most important of all I can stop giving a damn about what people actually think of me because if they don't like me and bitch about me behind my back or just plain ignore me I can simply think to myself 'Forget you, I am who I am and I'm not gonna change for you.'
So to my friends, my family, the friends i've yet to meet and perhaps especially to the people and events that tried to stop me in 2010 I have one last thing to say:
My New Years Resolution is to never be brought down again.
Have a good'un all of you
Monday, 13 December 2010
Why Michael Schumacher has done a good thing for F1 by coming back.
- He was not strong in the very early part of the season, China being the primary option when his car was being treated (Brundle's words, not mine) like the back end of a donkey.
- Signapore was simply a messy weekend. A track which team-mate Nico Rosberg excels at in a car which was not as fast as the Renault or the Williams nevermind the Bulls, Mclaren's or Ferrari's. He then waited too long to stop and dropped (with Kobayashi) further down the field and then did what German drivers have done a lot this year, and went to war with the Sauber's and come off best as he has accidents with both of them over the course of the race and overall finished poorly.
- The Canadian Grand Prix where he basically hit anything that moved within 10 meters of him (Massa, both Force India's and Kubica) added to a bad qualifying performance created one of the worst race weekends I have seen the man drive (topped only by China '05...which was actually difficult to watch) and for the first and only i thought Schumacher would either leave or be dropped for Nick Heidfeld (before he left for Sauber).
- And the less said about the Hungarian Grand Prix the better. I can not defend what he did then.
- In Monaco he had a good race to seventh, jumping Rosberg in the pit stops and then after the safety car came in on the last lap there was no indication that there was a rule against overtaking after the safety car line on the final lap which meant he pulled off a genius move on Alonso in Anthony Nouges (now how many of you have ever seen someone do that before outside of video games?) only to be penalised by a rule which was not clear and also contradicted by the messages from race control.
- In Valencia, he was on course for what could have been a stunning podium but had he got caught out by the pit lane rule and proceeded to fall to the back of the field where he basically took part in a glorified test session driving rather quickly up to the back of the back markers and then change tires and see what his car was actually made of.
- In Abu Dhabi he was lucky to remain with his face on his head and in one piece after that horrible accident with Liuzzi but after a strong performance all weekend he looked set for some good points if it were not for that crash.
- I once again point you to his pass on Fernando Alonso at the last corner at Monaco, how he found the space for 2 cars side by side with the rest of the field bunched around him I can never fathom. It was a genius piece of driving (even if it was technically illegal).
- His drives to 5th in Spain and 4th in Turkey were a good sign also, while the Mercedes was a minute down the road at the end of the race it did show a sign that he could get the most out of the car on certain tracks. And his drive defending against Jenson Button was a joy to watch as whatever the Defending Champion did the Silver Baron had it covered.
- His race at Spa was excellent considering the risk factor of the stratergy and his grid position. Both he and Rosberg drove great races and aside from the head-ache they gave Ross Brawn and Nick Fry it was great to see the pair of them take each other one. Yes Rosberg got ahead of him in the end but Schumacher drove a better overall race on the circuit he first came to the world as a Clutch destroying young'un who put the Jordan 7th on the grid in his first laps in the car.
- In Japan he took Barrichello around the outside of the chicane after 130R, if I remember correctly the last person he tried to do that to was Takuma Sato in 2003 and that took his front wing off. That was a stunning overtake but Nico Rosberg stole the limelight while trying to be outrageous and overtake Buemi around the outside of 130R. Rosberg may well have gotten ahead of him with a better strategy but Schumacher was easily quicker than him at almost ever point, was glued to his gearbox and must have been clenching his butt-cheeks quite a lot when Rosberg went off in the opening part of the lap but went on to another good result.
- He was awesome for the entire of Korea, his insight by going deliberately off the road during the safety car periods to test what he could do and the simplicity and effectiveness while passing 2 of the best drivers in the grid in the form of Button and Kubica on the way to a very impressive 4th place showed that the man does still have what it takes in the mental department (more on this later). This was his best race of the year by some margin and a sign that if Mercedes get their second car right, the championship could be contested by as many as 8 or 9 drivers for large parts of it.